Sitaare Zameen Par turned out better than expected. It’s a decent Saturday night watch. The humor works well, and the supporting cast does a solid job. There’s enough fun to keep things light and watchable.

The film’s strength is in its message. It shows how people with Down syndrome are treated unfairly. That topic is rarely shown in Indian films. The makers cast real people with intellectual disabilities, which adds honesty. In today’s cinema, that choice deserves real credit.

But ironically, the weakest link is Aamir Khan himself. His “hmm hmm” acting style, which became his post-PK trademark, feels stale and routine now. There’s nothing new in his performance, and his presence actually dulls the impact. He comes off like a once-great actor stuck in old habits, riding on reputation more than skill. With a stronger lead, this film could’ve gone further emotionally.

Still, the ensemble shines. Genelia D’Souza is a welcome surprise and a breath of fresh air. It’s refreshing to see someone like her lead a film again. Casting choices like hers bring more warmth and credibility than the typical star kids we see too often. More of this, please.

While the movie never reaches the emotional depth of Taare Zameen Par, it doesn’t really try to. It’s lighter in tone, more humorous than heavy, and though it does feel stretched at times, it stays consistently watchable. There are a few heartfelt scenes and some genuinely funny ones that keep it alive.

In the end, Sitaare Zameen Par isn’t perfect, but it means well. The message is strong, and the cast gives it heart. It’s a one-time watch, and that’s enough.